Welcome to DigiNewYork

The New York visitor resource.
New York attractions, maps and history all in one place.
This site features Google Earth and Google Maps.

Please feel free to add your own location


Cotton Club (original site)

Category: Performing Arts
The Cotton Club was a famous night club in New York City that operated during and after Prohibition.
While the club featured many of the greatest African American entertainers of the era, such as Duke Ellington, Cab Calloway and Ethel Waters, it generally denied admission to blacks. During its heyday, it served as a chic meeting spot in the heart of Harlem, featuring regular "Celebrity Nights" on Sundays, at which Jimmy Durante, New York mayor Jimmy Walker and other luminaries would appear.

Heavyweight champion Jack Johnson opened the Club Deluxe at 142nd Street and Lenox Avenue in Harlem in 1920. Owney Madden, a prominent bootlegger and gangster, took over the club in 1923 while imprisoned in Sing Sing and changed its name to the Cotton Club. While the club was closed briefly in 1925 for selling liquor, it reopened without trouble from the police. The dancers occasionally performed for Madden in Sing Sing after his return there in 1933.

The club reproduced the racist imagery of the times, often depicting blacks as savages in exotic jungles or as "darkies" in the plantation South. The club imposed a more subtle color bar on the chorus girls whom the club presented in skimpy outfits: they were expected to be "tall, tan, and terrific", which meant that they had to be at least 5 feet 6 inches tall, light skinned, and under twenty-one years of age. Ellington was expected to write "jungle music" for an audience of whites.

Nonetheless, the club also helped launch the careers of Fletcher Henderson, who led the first band that played there in 1923 and Ellington, whose orchestra was the house band there from 1927 to 1931. The club not only gave Ellington national exposure through radio broadcasts originating there, but enabled him to develop his repertoire while composing not only the dance tunes for the shows, but also the overtures, transitions, accompaniments, and "jungle" effects that gave him the freedom to experiment with orchestral colours and arrangements that touring bands rarely had.
Ellington recorded over 100 compositions during this era, while building the group that he led for nearly fifty years. The club eventually relaxed its policy of excluding black customers slightly in deference to Ellington's request.


Tag this location on del.icio.us
Mail this location to a friend



Comments

Add Comment

:

:
:




Text Link Ads

Copyright 2006/ 08 | Lee Rickler and all relevant companies
No reproduction whatsoever without prior written agreement
DigiNewYork is not affiliated to Google.
Back to top